Haunting and moving, Alan Ball's directorial debut, Towelhead, settles around the viewer for hours, days, afterward, as its delicate layers unfold. Ball, the screenwriter of American Beauty and the creator of HBO's splendid Six Feet Under, revisits some familiar territory here, yet bestows grace upon even his most flawed characters. The film follows the life of 13-year-old Jasira (Summer Bishil), quiet and compliant, who's shuttled between an uncaring American-born mom and a strict, bigoted Lebanese-American dad (Peter Macdissi). When she goes to Houston to live with her father, Jasira starts babysitting for a bratty neighbor kid, whose dad (Aaron Eckhart) takes an unnatural interest in the girl. A new classmate, Tommy, also desires the eighth grader, and one begins to feel Jasira's whole world is a predatory nightmare. Yet the film, while uncomfortable at times to watch, manages to provoke without appalling. Young Jasira is exploring her own sexual awakening, secretly (with echoes of American Beauty), and so desires adult attention that she tiptoes into a flirtation with Eckhart's character, Mr. Vuoso--who is undeniably creepy, yet Eckhart's performance gives Vuoso a begrudging sympathy, no small feat. It's the film's achievement that characters the viewer should be repulsed by--the harsh, overbearing dad; the pervy Mr. Vuoso--have more than a shred of humanity. And luckily for young Jasira, another neighbor, played by Toni Collette, takes her under her wing--and there's almost a palpable sigh of relief when she does. And the script is shot through with humor, which doesn't exactly leaven the intense subject matter, but provides some lightness. When Jasira gets her first period, uptight dad takes her shopping for sanitary pads (no! tampons! ever!), and in the harsh light of the drugstore asks the mortified girl, "Would you describe your situation as Light, Medium, or Heavy?" Bishil is a lovely new discovery, like Thora Birch or Wes Bentley of Beauty, and stays true to herself while the adults around her--with the exception of Collette's Melina--let her down, or worse. The cinematography, draped in shadows, underscores Jasira's unstated plea: See me. Notice me. Care about me.Strangely known under two titles, Towelhead and Nothing is Private.
